HyperView
Also known as: GoPro HyperView, HyperView lens
An ultra-wide GoPro digital lens that stretches the full-height 8:7 sensor image into 16:9, giving an even more immersive, faster-looking view than SuperView.
Updated
What it means
HyperView is one of the digital lens modes on newer GoPro cameras with a tall 8:7 sensor. It takes the whole sensor area, including the extra height, and stretches the edges horizontally to fill a 16:9 frame. The center stays fairly natural while the sides get pulled out, which exaggerates speed and makes the scene wrap around the viewer.
It is the bigger sibling of SuperView, which does the same trick with a 4:3 crop. Both exist because a wide 16:9 video on a phone or TV is what most people watch, while the sensor itself captures a taller picture.
How it works in practice
Riders use HyperView for helmet and chest POV on bikes, skis and motorcycles, where the stretched edges add drama to corners and trees flashing past. It usually works best at moderate resolution and frame rate combinations, and stabilization options can be more limited than in Linear or Wide.
If you are not sure which lens to choose, the 8:7 full-sensor mode keeps your options open: you can later reframe to 16:9, 9:16 or 1:1 in an editor. HyperView commits to the stretched look in camera, so you cannot recover a natural perspective afterwards.
What to watch out for
The stretch is unforgiving with people. Faces and bodies near the edges look wide and distorted, so it is a poor choice for vlogging, interviews or group shots. For anything with people close to the lens, a Linear or Wide mode looks far more natural.
Horizons also bend strongly when the camera is tilted, and straight buildings curve. If you plan to cut HyperView clips together with footage from a drone or phone, the jump in distortion can be jarring, so keep the stretched look for fast POV moments rather than every shot.
How RawClip handles it
RawClip uploads HyperView clips like any other MP4, and the AI judges the action rather than the lens mode. Mixing HyperView riding shots with calmer Linear or drone clips in one order often gives the highlight a good contrast between speed and context.