RawClip
Sign in Start editing
Shooting settings

Backlight

Also known as: backlit, contre-jour, rim light

Light coming from behind the subject toward the camera. It creates glowing outlines and dramatic silhouettes, but often leaves faces dark.

Updated

What it means

When the main light source sits behind the subject, the side facing the camera falls into shadow while edges catch a bright rim of light. Spray, snow, dust and hair glow, and the subject separates strongly from the background. Photographers call it contre-jour, against the day.

Backlight is powerful in action footage: a skier throwing powder, a surfer under a lip, or a rider kicking up dust can look spectacular against the low sun. It is also one of the hardest situations for automatic Exposure.

The camera has to choose between a bright background and a visible subject, and small sensors cannot keep both.

How it works in practice

Decide the look before filming. For a silhouette, expose for the bright background and let the rider go dark. For a visible face, use positive exposure compensation or spot metering on the subject, accepting a brighter sky.

Golden hour backlight is especially beautiful, because the low sun adds warmth and the contrast is softer. Shooting slightly off the sun axis reduces glare while keeping the rim light.

A reflector or a small light can fill in the face for close shots, which is common in vlogging. Even a white jacket or the snow itself can bounce some light back onto a face.

What to watch out for

Shooting straight into the sun causes flare, haze and low contrast, and fingerprints on the lens make it much worse. Clean the lens and shade it with your hand if possible.

Auto exposure may switch between exposing for the sky and the subject as the framing changes, making brightness pump. Lock exposure for steady results.

Small sensors may show noise in the shadowed side of the subject if you brighten it later. Fix it on location rather than in the edit. A few seconds spent changing the angle often saves the shot, while no grading can fully recover a muddy face.

How RawClip handles it

RawClip uses your clips as recorded and does not brighten silhouettes. Backlit spray, snow and dust often make standout moments, and the AI picks the strongest shots for your highlight.

Skip the editing. Keep the best moments.

Upload your raw footage and get a finished highlight in 4K and 1080p - no timeline, no editing skills.

Start editing →