Snowboarding
Also known as: snowboard, boarding
Descending snow on a single board, where the body position across the board decides which angles read and which ones flatten everything.
Updated
What it means
A snowboarder faces across the direction of travel. That sideways stance is why a shot from directly behind shows a back and a shot from the side shows the whole movement.
The disciplines inside it film differently. Park riding on rails, jumps and a Halfpipe is a trick subject, powder riding is about the spray and the line, and the two share almost no positions.
Grabs and rotations need an angle to read. A trick done above a lip is legible from the side and almost invisible from behind, which decides where a filmer stands before anything else.
How it works in practice
A side angle at feature height is the standard. Level with the lip of a jump or the top of a Rail slide, slightly ahead of the rider, which shows the board and the body together.
A low position in powder shows the spray. A camera at snow level as a turn comes past produces the image the discipline is known for, where a view from above reads as a line in snow.
Settings are fixed for the light and left alone. Snow defeats automatic exposure and white balance both, so a value chosen for the day produces a session that matches rather than drifts.
What to watch out for
Filming from behind loses the trick. A rider seen from the back is a jacket, and the rotation, the grab and the board are all hidden, which is the most common wasted position in the sport.
Snow on the lens between runs is constant. A fall, a lift queue or a stop all put snow on the glass, and a Lens protector plus a cloth is what keeps a session usable.
Mounted footage flattens the gradient. A wide lens on a helmet makes a steep face look mild, so the external angles are what convey what anybody was actually riding.
How RawClip handles it
Tricks and turns score as clear peaks and cut tightly against music, so a day of laps reduces to the strongest attempts. Exposure and colour are brought into agreement during assembly, which handles a session filmed across changing light on snow.