GoPro Hero 12
Also known as: Hero 12, Hero 12 Black
A generation of the GoPro Hero line, notable mainly for what its files contain rather than for anything visible in the footage itself.
Updated
What it means
The Hero 12 is one step in a long iterative line. Each generation adjusts stabilisation, thermal behaviour and the available modes rather than reinventing the camera, so footage from neighbouring generations cuts together without trouble.
What matters downstream is the file conventions. Naming, chaptering of long recordings and the companion LRV file written beside each clip all follow the same pattern as other GoPro generations.
Generation also decides which modes exist. A mode present on one body and absent on the next is the usual reason two cameras in the same bag produce footage that does not match.
How it works in practice
Checking what a specific body writes beats assuming from the model number, since Action camera firmware changes behaviour within a generation as much as the generation itself does.
Mixing generations in one session is normal and workable. Colour differs slightly between them, so shooting a flatter profile on both and grading afterwards is the straightforward answer.
Telemetry is present and worth using. Orientation and acceleration recorded alongside the picture give a stabiliser or a scoring pass information it would otherwise have to infer from pixels, which is both slower and less reliable than reading it.
What to watch out for
Chaptered long recordings are easy to misread as separate clips, which makes a continuous session look like a dozen unrelated takes and ruins any judgement about how a run unfolded.
Proprietary wide modes bake their geometry into the file, so a decision made on the mount cannot be revisited later in an editor.
Thermal limits apply as they do to every camera in the class, and a long static recording is where Camera overheating appears rather than during a ride. Moving air buys far more recording time than any setting change does.
How RawClip handles it
Clips are read for what the files actually contain rather than by model number, so several camera generations in one upload are analysed identically. Chaptered recordings are reassembled in order first, which means a long run is judged as one continuous take rather than as a dozen unrelated fragments.